The Art of Adaptation: Turning Fact And Fiction Into Film
- ISBN13: 9780805016260
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
Product Description
Adaptations have long been a mainstay of Hollywood and the television networks. Indeed, most Academy Award- and Emmy Award-winning films have been adaptations of novels, plays, or true-life stories. Linda Seger, author of two acclaimed books on scriptwriting, now offers a comprehensive handbook for screenwriters, producers, and directors who want to successfully transform fictional or factual material into film. Seger tells how to analyze source material to understand why some of it resists adaptation. She then gives practical methods for translating story, characters, themes, and style into film. A final section details essential information on how to adapt material and how to protect oneself legally
The Art of Adaptation: Turning Fact And Fiction Into Film
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Category: Screenwriting Books | Posted by: brian on March 22, 2010
5 Comments to “The Art of Adaptation: Turning Fact And Fiction Into Film”
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By Anonymous, March 22, 2010 @ 3:29 am
This book is as bad as Seger’s previous books. It’s contents only go to show the depth of her lack of knowledge. Ask yourself something: How many adaptations has Seger written? Avoid this book and read Ben Brady instead.
Rating: 1 / 5
By J. Franco, March 22, 2010 @ 3:39 am
Having adapted stories to screenplays both before and after reading Seger’s book I can recommend it highly.
Rating: 5 / 5
By A. Boudinot, March 22, 2010 @ 5:21 am
Seger does a good job of covering the basics of how to adapt a published work &/or a real-life story into a saleable screenplay. The final section of the book explains the legal aspects of optioning a script, and this is extremely helpful as well. On the down side, this book was published in 1992 and most of the examples Seger uses are from films that were released around that time. As someone who was born in the late 70s, I found myself skipping paragraph after paragraph about movies that I’d never seen, or that I hadn’t seen in 10 years. The book is further dated when Seger gives mailing addresses and phone numbers of places to seek more information — pretty much no one had a website in 1992. If you’ve recently watched Room With a View, Deliverance, Out of Africa, Reversal of Fortune, Driving Miss Daisy, and Field of Dreams, you’ll probably connect with this book better than I did.
Rating: 3 / 5
By R. Michael Brown, March 22, 2010 @ 6:53 am
I’ve used the principles I learned from this book since I read it over a year ago. The adaptation techniques helped turn our reality based productions from around the world into character driven stories in three acts. Story development on our news magazine format is easier. The audience reaction has been amazing. I just recommended it to another producer.
Rating: 5 / 5
By C. J. Singh, March 22, 2010 @ 8:48 am
Historically, more than 75 percent Academy Award and Emmy Award-winning films have been adaptations of novels, short stories, plays, nonfiction books, and articles.
Linda Seger sets the tone of THE ART OF ADAPTATION on the opening page: “In spite of what we may think, there is no such thing as an easy adaptation. We’ve probably all heard people say, `All you have to do is film the book,’ Francis Ford Coppola tried that with the 1974 version of `The Great Gatsby,’ and it failed. Others say, `This was immensely popular it’s bound to be a blockbuster.’ `Bonfire of the Vanities’ was a best-seller, but the film was panned.”
With exceptional lucidity, the author explains the issues and solutions in adaptations from fact and fiction into film. The book includes two detailed examples of successful adaptations: E. M. Foster’s novel “A Room with a View” and Andrew Lloyd Webber’s play “The Phantom of the Opera.” Other examples include “Gone With the Wind,” “It’s a Wonderful Life,” “Deliverance,” “Dances With Wolves,” ” Silence of the Lambs.”
This was the first Linda Seger screenwriting book I read. Impressed, I went on to study three more: “Creating Unforgettable Characters”; “Making a Good Script Great”; “Advanced Screenwriting.” Each of them a five-star book.
– C J Singh
Rating: 5 / 5